The Early Days
A look at my early graffiti years in Amsterdam and New York, starting in 1983. These archives trace the beginnings of my style, the scene I grew up in and the foundations of my current practice.
Groningen, 1984 — The beginning
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“Graffiti has been very important to me in life, and not just as a career.”
— Mick La Rock
Style writing and letter development
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Letters became the main focus early on. Shapes shifted, stretched and moved across sketchbook pages, influenced by what was happening in Amsterdam and by images coming in from New York. Outlines, extensions and geometric breaks were tested to see how far a letter could go without losing balance.
These experiments formed the base of the graphic language used now. Clear forms, grids and angled structures in murals and studio work can all be traced back to those first years of rebuilding the alphabet.
New York connection
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Travels to New York in the early early nineties offered a direct view of the styles that shaped the graffiti movement. Trains, handstyles and large pieces seen up close changed how letters and structure were understood. Encounters with writers known only from magazines, including artists connected to Lady Pink, Seen and Dondi, added new perspective.
The experience confirmed the direction already taken in Amsterdam. It showed how lettering, space and rhythm could connect across cities and cultures and strengthened the approach brought back home.
Early records
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Timeline
Start writing in Tilburg
1983
Groningen , The Netherlands nation wide
1984–90’s
New York New York big city of dreams
Work shown in the context of Coming From The Subway at Groninger Museum
1992
1993- infinity
Shift toward geometric abstraction and large-scale mural work
The Year 2000 onward